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Edward Elgar

Thursday, September 29, 2016


The Boston Musical Intelligencer

September 26

BAE Introduces Important New Weir Work

The Boston Musical Intelligencer Jonathan MIller and Judith Weir (Diane Fassino photo) Boston Artists Ensemble’s stunningly opened its five-concert series, held on Friday nights in Salem at Hamilton Hall, and on Sundays at three in St. Paul’s Church in Brookline, with three players I have known and admired deeply for nearly 40 years, who have played together on a regular basis for about half that time. The weekend’s offering (I attended on Sunday) deserved notice for its world-premiere of Judith Weir’s Three Chorales for cello and piano. The program began with Beethoven’s Piano Trio in C Minor, Op. 1, No. 3, played by pianist Randall Hodgkinson with his usual panache and flair, along with violinist Sharan Leventhal, and cellist Jonathan Miller, BAE’s Artistic Director. One of three piano trios dedicated to Prince Karl Lichnowsky, from the get-go, this was the most popular of the set. In the lovely second theme-and-variation movement, Randall Hodgkinson’s handling of the lion’s share of notes reminded me of what a fabulous pianist he is. The three musicians have performed together for decades, and it showed. Although most accomplished chamber music players can get together and play well with little rehearsal, there still is something special, even magical, about longtime musical partnerships. Judith Weir, renowned London-based composer (b. 1954) of Scottish ancestry, had never before written for cello with piano before Jonathan Miller commissioned her. The very resulting “Three Chorales for cello and piano,” will surely make a luminous and evocative addition to legions of cellists’ recitals. Weir introduced them with charm: These three pieces meditate on images—personal, secular and musical— from religious poetry. The title of No. 1, “Angels bending near the earth,” comes from “It came upon the midnight clear” by the Massachusetts pastor and poet, Edmund Sears. The full reference is to “angels bending near the earth/ to touch their harps of gold” and this is the inscription for the music, with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2, “In death’s dark vale,” paraphrasing the 23rd Psalm (from a Scottish hymnal), evokes an image of living against the prospect of impending death. The cello plays a hasty, self-absorbed continuo, whilst around it, piano motifs and chords of different height and depth create an evolving backdrop. The second is the only movement which quotes a musical source: Hildegard of Bingen’s hymn “O virtus sapientiae” (O strength of wisdom). Its calm, elegiac set of variations for the cello on Hildegard’s melody, partnered mostly bright, optimistic reflections from the piano. Weir’s Three Chorales exquisitely written for the cello. The first matched a shimmering, feathery piano to long, soulful cello lines, “supremely lyrical,” in the words of Jonathan Miller. “I first had to figure out what an angel is—an interpretive hurdle,” he added. “I had to make it pure.” The second movement he described as “passionate, personal, full of angst,” while the third “starts in the 12th century and evolves into a romantic Elgar sound.” Weir’s new work, like much of her music, enchantments with tunefulness and seductive simplicity. Leventhal, Hodgkinson and MIller (Diane Fassino photo) The first and longest of Robert Schumann’s three piano trios, his D minor, marked a return to composing for the piano; he had already penned three string quartets, the piano quintet and the piano quartet. In the intervening years he had embraced the music of J. S. Bach and the art of contrapuntal writing. This is unmistakably reflected in the polyphonic world of this trio. He began in the spring of 1847, completed it a few months later, and presented it to his wife Clara, for her 28th birthday. “It sounds,” she wrote, “as if composed by one from whom there is still much to expect, it is so strong and full of youth full energy and at the same time worked out so masterfully. The first movement is to my mind one of the loveliest that I know.” She premiered it privately soon afterward with principals of the Dresden Court Orchestra. From its opening, the music is unmistakably Schumann’s. Sharan Leventhal played exquisitely throughout, as did her partners, in an extraordinarily tight ensemble. The slow third movement, particularly, overflowed with poetry. BAE concerts featuring quartets of Szymanowski and Beethoven come on Fri. Nov. 11th and Sun., Nov. 13th. Susan Miron is a book critic, essayist, and harpist. Her last two CDs featured her transcriptions of keyboard music of Domenico Scarlatti. The post BAE Introduces Important New Weir Work appeared first on The Boston Musical Intelligencer .

All the conducting master class

September 23

BCO Winter Conducting Workshop with Markand Thakar Baltimore, MD; December 18-22, 2016

Under the supervision of renowned pedagogue Markand Thakar, up to 10 Fellows will conduct the internationally acclaimed Baltimore Chamber Orchestra in works by Mozart, Elgar, Haydn, and Beethoven. A number of Associates will also be accepted. Associates participate in all activities outside of conducting the ensembles. The Winter Conducting Workshop, held on the campus […]




Meeting in Music

September 21

Recent updates to previously posted music

9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish Modern #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish Modern #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish Modern #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish Modern #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch /a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière's 'Ilya Muromets' Symphony by Edward Downes in Manchester (1991) 4/7/15 Summer Nights #1: +1CD Borodin's 3 Symphonies by José Serebrier in Rome (1989) 4/7/15 Second Viennese School Essentials #7: +2CDs Schoenberg's Moses und Aron by Sylvain Cambreling (2012) 4/7/15 Wintery Romantics: +1CD Tchaikovsky Suites (Nutcracker & Swan Lake), Mehta & the Israel Philh. (Decca, 1979) 4/7/15 Summer Nights #7: +1CD Brahms Hungarian Dances, 5 Studies and 2 Rhapsodies by Louis D. Alvanis (1994) 4/7/15 Ein Bach...: +1LP: Daniel Varsano's recording of the Goldberg Variations (CBS, 1980) 4/7/15 Debussy #2 +1LP: Mélodies (including Baudelaire & Mallarmé sets) by Hugues Cuenod (1979) 4/7/15 Musique Française #2 +2CDs Wagschal for Fauré's Nocturnes (2009) + Satie by Ciccolini (and Tacchino) (1986) 4/7/15 Easter Passion Music: New links 3/22/15 German Baroque chamber Music New links in the comments 3/21/15 London Baroque - Trio Sonatas: new links in the comments 3/21/15 Vivaldi - Musica ad Rhenum : new link in the comments 3/19/15 Shostakovich #1 +1CD Bernstein's 5th (NYP, Tokyo 1979) & Cello Concerto with Ma & Ormandy in Philly 1982 3/19/15 Mahler 1 +1CD Solti's recording with the LSO (Decca, 1964), a new rip by Sgorby 3/19/15 Darmstadt #3: +1CD rip by Sgorby of already posted Ligeti by Cerha (Wergo) 1971 (previously on LP rip) 3/16/15 Debussy #4 The Complete Solo Piano Music by Aldo Ciccolini on EMI (1991) (a rip by Sgorby) 3/16/15 Strauss #3 +2CDs 4 last Songs Schwarzkopf & Szell (1966) and Harper & Del Mar (1981) 3/15/15 Strauss #3 +1CD Ein Heldenleben by Haitink and the CSO (2009) 3/15/15 Stravinsky #2 +1CD The Firebird (complete) & Chant du rossignol by Kitajenko and the Danish Radio SO 1991 3/14/15 Summer Nights #1 +1CD Respighi's Belfagor, Belkis and Church Windows (Ashkenazy, Netherlands Radio Philh.)  3/14/15 Shostakovich #1 +1CD Hypothetically Murdered Suite + Pushkin Romances (Kharitonov & Elder) 1992 3/14/15 Shostakovich #2 +1CD 1st Violin Concerto (+ Glazunov Violin C.to) with Perlman & Mehta on EMI 1988 3/12/15 Prokofiev #1 +1CD Li & Ozawa's for the 2nd Piano Concerto (+ Ravel's G Major Concerto) (DGG, 2007) 3/12/15 Mahler 8 +2CDs Leif Segerstam's recording in Copenhagen for Chandos (1994) + 10th Adagio 3/12/15 Summer Nights #8 +1CD Andrew Davis recording of Brahms's 4th + the Zigeunerlieder (BBC 1996) 3/12/15 Musique Française #1 +3CDs: Boulanger's Faust et Hélène; Franck by Firkušný & Flor; Debussy & Takemitsu 3/12/15 Debussy #4 +1CD Livia Rev's recording of the Etudes (+ Suite Bergamasque, D'un cahier, Berceuse) (Saga 1980) 3/5/15 Mahler 5 +2CDs Frank Shipway and the RPO (1996) (Symphony + No. 1 by Yuri Simonov) 3/5/15 Spanish School #3 +2CDs Ginastera by Santiago Rodriguez (1984) & Mompou by Ester Pineda (1992) 3/4/15 Bartok #4 +1LP 2nd Piano Concerto and 4 Pieces for Orchestra, Weissenberg and Ormandy (1970) 3/3/15 Musique Française #2 +1CD Debussy for Piano Duet & 2 Pianos by Pascal & Ami Rogé (2011) 3/3/15 Gershwin +1CD Rhapsody in Blue (Daniel Adni in Bournemouth), Addinsell's Warsaw C.to & Rózsa's Spellbound 3/3/15 Wintery Romantics +1CD Nielsen's 2nd Symphony (A. Davis) and Sibelius's 5th (Bamert) with the BBC SO 3/3/15 Prokofiev #1 +1CD Salonen and the Berlin Philharmonic: Romeo & Juliet (Excerpts) (CBS 1986) 3/1/15 Spanish School #3 +2CDs Albeniz & Granados selection by J.M. Pinzolas + "My Piazzolla" by Cecilia Pillado 3/1/15 Debussy #1 +1CD Jeux (Eötvös), Prélude (Robertson), Satie's Parade (Porcelijn), Roussel's BeA's 2nd Suite (Weller) 2/28/15 Debussy #4 +3CDs: Anne Queffélec's 12 Etudes, Ravel's Concertos & Miroirs, Fauré's Violin Sonatas (with P. Amoyal) 2/28/15 American Classics +2CDs: Copland The Populist by Tilson Thomas & MacDowell Symphonic Poems by Krueger 2/28/15 Debussy #2 +1CD Claudette Leblanc's album of Mélodies (with Valerie Tryon) (1989) 2/28/15 Summer Nights #5 +1CD Mackerras' recording of Berlioz Symphonie fantastique (with the RPO, 1994) 2/28/15 Summer Nights #4 +1CD Mackerras' recording of Beethoven 9th for EMI (Liverpool 1991) 2/27/15 Des Horizons #2 +1LP Debussy's Chansons de Bilitis & Satie's Socrate cond. by Friedrich Cerha (1969) 2/27/15 Des Horizons #2 +1CD Debussy and Ravel Music for 2 Pianos, by Pascal & Ami Rogé 2/27/15 Debussy #4 (Etudes) +1DDL: Nelson Goerner's recording of Etudes Livre II, plus Images Livre I & Estampes 2/27/15 Des Horizons #1 +1LP, Munch's last recordings in Paris, Ravel Concerto in G (w. Henriot-Schweitzer) & Honegger 2/26/15 Wintery Romantics +1LP: Maazel early recording of Tchaikovsky's 4th Symphony in Vienna for Decca (1965) 2/26/15 Des Horizons #1 +1CD Canteloube's complete Chants d'Auvergne by von Stade and De Almeida (CBS 1985) 2/26/15 Strauss Operas #2 +1CD set: Die Frau ohne Schatten, the complete Sawallisch recording for EMI (1987) 2/22/15 Des horizons de la musique française #2 +1CD Chabrier's Piano Music by Hewitt (2004) (a rip by Alan) 2/22/15 Rachmaninov #1 +1CD 2nd Symphony by Farberman & the RPO (1978) (a rip by Sgorby) 2/22/15 Summer Nights #9 +1CD Respighi Antiche Danze e Arie per Liuto by Ozawa (DGG 1979) (a rip by Sgorby) 2/22/15 Wintery Romantics +1CD Tchaikovsky's Nutcracker by Gergiev (Philips 1998) (a rip by Alan) 2/21/15 Wintery Romantics +6CDs Tchaikovsky Complete Symphonies: Temirkanov and the RPO (BMG) (a rip by Sgorby) 2/21/15 Wintery Romantics +2CDs Tchaikovsky Swan Lake (Complete) with Sawallisch (EMI 1994) 2/13/15 The World of Debussy #5 +1LP Rip, Teddy Teirup plays "La boîte a joujoux" (+ Ravel's Sonatine) 2/10/15 Bohemian Composers of the 17th Century New links added 2/7/15 Music from the Renaissance #2 New links added 2/3/15 Shostakovich #2 +1CD Cello Concerto No. 1 by Amit Peled 2/3/15 Summer Nights #5 +1CD Cello works by H. Eccles, Couperin, Fauré & Ligeti (Amit Peled with Eliza Ching) 2/3/15 Summer Nights #10 +1CD Elgar's Cello Concerto by Amit Peled 2/02/15 Keyboard Music on Harpsichord New links completed 1/30/15 Brahms's Concertos +1CD Violin Concerto & Sonata No. 2 by Vengerov & Barenboim (1998) 1/30/15 Second Viennese School Essentials #4 +1CD Karl Weigl's String Quartets Nos. 1 & 5 by the Artis Quartett Wien 1/30/15 Schoenberg: Piano Music +1CD Pi-Hsien Chen's reference recording of the complete set (1996) 1/30/15 Des Horizons #1 +1CD d'Indy's Symphonie sur un chant montagnard with Marek Janowski 1/30/15 American Classics +2CDs Thomas Hampson's Songs by Ives, Griffes, MacDowell & Glass Syms 2 & 3 by M. Alsop 1/30/15 Brahms Piano & Chamber Music Gems +1CD Andrea Bonatta's recording of 8 Klavierstücke, Paganini, Rhapsodies 1/29/15 Keyboard Music on harpsichord Added new links 1/28/15 HIF Biber and comtemporarie

The Well-Tempered Ear

September 6

Classical music: The Oakwood Chamber Players open their new season this Saturday night and Sunday afternoon

By Jacob Stockinger The Oakwood Chamber Players will kick off their 2016-2017 season with a concert entitled “Looking Across the Table: Can We Find Common Ground?” on this coming Saturday night, Sept. 10, at 7 p.m. and Sunday afternoon, Sept. 11, at 2 p.m. The concerts will both be held in the Oakwood Village University Woods Center for Arts and Education, 6209 Mineral Point Road, on Madison far west side. Tickets can be purchased with cash or personal checks at the door: $20 for general admission, $15 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com or call 608 230-4316 for more information. The season’s theme of “Perspective” is full of interesting viewpoints on life and relationships; the blended use of diverse musical styles with film and theater will help the audience see things from another’s point of view. Here is a link to a preview of the entire season: https://welltempered.wordpress.com/2016/08/31/classical-music-oakwood-chamber-players-start-their-perspective-concerts-on-sept-10/ This weekend’s program concert will begin Cafe Music for piano trio by the Michigan-based composer Paul Schoenfield . The work draws inspiration from a range of styles including 20th-century American, Viennese, gypsy and Broadway . (You can hear the catchy music in the YouTube video at the bottom.) Cuban composer Paul Colina’s “Stairway to Midnight Café” has a delightful current of dance influence and is dedicated to his friends in the First Coast Chamber Ensemble . The Oakwood Chamber Players will welcome guests to the stage for the charming Dixtuor by French composer Jean Françaix (below). The engaging interplay of strings and winds creates an atmosphere of instrumental commentary parallel to an upbeat social gathering. Guest musicians include Maureen McCarty, violin; Katrin Talbot, viola; Brad Townsend, string bass; Jennifer Morgan, oboe; and Juliana Mesa-Jaramillo, bassoon. Famed British composer Sir Edward Elgar (below) wrote Elegy, a poignant adagio, when processing the untimely loss of a friend and colleague. He created a piece that tugs at the heartstrings of both listeners and performers. This is the first of five concerts in the Oakwood Chamber Players’ 2016-2017 concert season. Remaining concerts include “Looking Back and Forward” on Nov. 27; “Looking Within on Jan. 21 and 22”: “Looking Through the Lens” on March 18 and 19; and “Looking Closely at the Score” on May 13 and 14. The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They have experience with the Madison Symphony Orchestra , the Wisconsin Chamber Orchestra , the University of Wisconsin-Madison School of Music and other groups and institutions. The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation. Tagged: Arts , Bassoon , Broadway , Broadway theatre , Cafe Music , Cello , Chamber music , Classical music , composer , Cuba , dance , Edward Elgar , Elegy , film , First Coast Chamber Ensemble , France , French music , gypsy , Jacob Stockinger , Jean Francaix , Madison , Madison Symphony Orchestra , Michigan , movie , Music , Oakwood Chamber Players , Oakwood Village , Oboe , Paul Colina , Paul Schoenfeld , Paul Schoenfield , Piano , Piano Trio , string bass , strings , style , theater , theatre , trio , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , Vienna , Viennese , Viola , Violin , winds , Wisconsin , Wisconsin Chamber Orchestra , YouTube



The Boston Musical Intelligencer

September 3

Turning on a Dime: BPYO Goes to Spain and Carnegie

BPYO players jump for joy in Madrid BMInt is pleased to hear once again from Benjamin Zander about the latest tour of his estimable youth orchestra, especially after the kind words of summary the publisher wrote after their last concert: “It is my pleasure to report that the BPYO outing satisfied me more fully than any other orchestral concert I have heard all season.” The Zika outbreak having caused the cancellation of the Boston Philharmonic Youth Orchestra’s tour to Brazil, the leadership determined, with much bravery, that BPYO should go to Spain and Carnegie Hall instead [See Ben Zander’s June 13th BMInt summary article here ]. The BPO has taken its Youth Orchestra on tour four times—every year since the orchestra was founded. We have embarked on these challenges that many an organization would think impossible because of our commitment to the growth and development—humanly as well as musically—of our performers: an outlook we call Possibility. We have discovered that when these young people, age 12 to 21, are given the responsibility of being ambassadors for the attitude we espouse—in terms of music-making, friendship, and respect for each other and the larger world—they leap ahead exponentially in their expertise and in their spirit. Despite the extravagant costs of a foreign tour with 115 musicians with their instruments, we feel that we cannot afford not to do it, considering the gains we make. Behind every request we make of BPYO donors for support lies our conviction that everyone, the players, and all the people they encounter—the audiences, and the donors themselves—will be enlivened by the scope of the mission the BPYO carries out. We are in the business of transformation; that is, moving people beyond the concerns of competition and ego into a space of authentic contribution. Our medium is music, as it is, equally, relationship. What better stage for our mission than the concentration required for the students to get to know each other in a new environment, in the space of producing one concert after another for and with people of different cultures? We raised the money for the year 2016 from people who responded to our cause with an energy and generosity that was a match for the passion of the young musicians themselves. This attitude of open-heartedness can best of all be expressed in music. Just listen to the 5-minute Overture to Ruslan and Ludmila and you will hear what I mean. Every last player from the youngest to the oldest is playing every single note, and at break-neck speed. What amazing virtuosity and what exuberant joy! The two concerts in Carnegie Hall, both played to packed houses, were thrilling occasions, as I reported in the BMInt article of June 13th. I’m pleased now to be able to provide links to our Carnegie Hall performances, so that you can hear these extraordinary young musicians yourself. Debussy Prelude to the Afternoon of a Faun Stravinsky Violin Concerto Stravinsky Rite of Spring Mahler – Symphony No. 1 BPYO & soloist Ayano Ninomiya, Carnegie Hall Off to Spain On June 13th As we set off for Spain, one of the three flights on which we traveled was cancelled and 55 members of the orchestra were forced to spend 24 hours in Kennedy Airport. It was gratifying to hear later that everyone’s spirits remained high throughout the ordeal. Someone caught BPO Conducting Fellow Kristo Kondakci on an iPhone leading a performance of “Nimrod” from Elgar’s Enigma Variations in the airport lounge. VIDEO: What happens when a youth orchestra gets stranded at the airport? Terassa and Barcelona The full group united in Barcelona in time for everyone to get on the three buses to Terrassa, a provincial town 20 miles northwest of Barcelona. On our tour was David St. George, a musicologist and formerly a music critic for the Boston Globe, who, for the past 40 years has collaborated on virtually every one of my musical projects. David has become an indispensable part of the BPYO team, attending rehearsals and coaching the orchestra members, as well as the conductor. David wrote a rhapsodic report about our concert in Terassa, in which he also wrote about the conducting class I gave with the BPYO playing at the Barcelona Conservatory the next evening. This came after a thrilling day of sightseeing in Barcelona, including a visit to the breathtaking, and as yet unfinished, Sagrada Familia Cathedral designed by Antoni Gaudi (see photo below). In this excerpt from his longer article about Terassa & Barcelona, David captures the magic of our Terassa concert, played in an exceedingly difficult and dry acoustical environment. I encourage you to read David’s beautifully written report in its entirety. [Full article here .] BPYO visits the Sagrada Family Cathedral in Barcelona, Spain When the BPYO played the Debussy and Tchaikovsky in Carnegie Hall a week ago I thought they had reached an all-time high in their development, but the Terrassa performances went even beyond what they had achieved in New York, and against all odds. The unforgiving clarity of the dry acoustics made every note audible – even the slightest slip in intonation, lapse in ensemble, lack of control of quality of sound, really, any lapse of any kind would be immediately obvious. Few orchestras can withstand such close scrutiny. Yet the BPYO sounded genuinely glorious. The weight-lifting demands of Tchaikovsky 5 are a world apart from Debussy’s delicate balancing act in La Mer. The orchestra managed the necessary quick-change between pieces—the differences in weight of playing, style of phrasing and general sonority were so great that they sounded almost like two different orchestras. The very opening of La Mer wasn’t just soft—it was fabulously atmospheric and almost inaudible. Moments after it started the audience’s reaction was remarkable—a stillness fell over the hall as if everyone had stopped breathing lest they disturb the magic. Solo playing—flute, oboe, clarinet, English horn, trumpet—was of the utmost delicacy (I have never in my life heard the high-lying trumpet part played so quietly). Concertmaster Hikaru Yonezaki played her brief but tricky first movement solo with witty deftness and gorgeous sound. Everywhere one was struck by the balance and proportion of the playing—big climaxes came only in the few places where Debussy really intended them, and then they were not just loud, but radiant. Playing with this degree of refinement is virtually unknown among youth orchestras. And about the conducting class with the BPYO and four conducting students at the Barcelona Conservatory the next evening: Ben’s instruction was powerful and intense—intellectually intense and emotionally intense – and left all four of the conductors elated but also reeling from the force of so many new ideas. It will take time for what they learned to sink into their psyches and to become an organic part of their physical expressiveness. There is a lot for them to chew on, mull over, live with and practice. One wishes one could revisit them six months from now, to see what they have been able to make of all the new challenges that Ben’s teaching has placed on them, to get them to the next level. VIDEO: Conducting Masterclass on the Eroica, Barcelona Granada It was a huge privilege for BPYO to be included in the Granada Festival, one of Europe’s most prestigious musical festivals. The week after we performed, Simon Rattle was scheduled to come with the London Symphony Orchestra. All of the festival is on that level of international excellence. The acoustics of the hall were clear, the recordings pristine and the performances by now well honed. Here are the two short works for cello that our brilliant principal cellist Leland Ko performed: Dvorak Silent Woods Tchaikovsky Pezzo Capriccioso I think this was also the most satisfying of the five performances of Debussy’s La Mer: Debussy: La Mer Leland Ko, BPYO Principal Cello Every performing organization that plays in the Granada Festival is obligated to give an additional outreach concert in one of the neighboring communities. The one that was chosen for BPYO was Huescar, a tiny Andalusian town with a population of around 8,000, about two hours drive from Granada. We were, apparently, the first orchestra ever to play there. I don’t think any of us expected the concert in the little town of Huescar to turn out to be one of the highlights of the tour. But it was, in several important ways. . Indeed, I sensed that there was a shift in the whole group after we were in Huescar. It was as if we moved into The Art of Possibility, as a state of mind, rather than something to practice and improve on. Let me explain. It had been a last minute decision to go to Huescar, and so our reconnoitering team had not been able to make an advance visit to the venue. When we walked in to the converted church we were horrified to realize that the stage was much too small for the BPYO. “How could they have thought that we could play a concert here with such a small stage,” I fumed. I of course regret this momentary lapse in the spirit of Possibility that had guided us unfailingly thus far. If the leader goes off track it is likely to have a bad influence downstream. Fortunately, there are others in our organization who can be relied on to keep the spirit of Possibility alive, even in trying circumstances. As Roz Zander reminds us: “Possibility is always only one sentence away.” The “one sentence”, in this case, was a firm utterance from our wise and experienced Senior Advisor, Mark Churchill: “Everybody off the stage!” Methodically, Mark reseated each section of the orchestra, placing the seven double basses along the back wall and the percussion off to the extreme side of the stage invisible to the audience. He then announced that we would split the string section in two, with one group playing the first two movements of the symphony and the other group playing the third and fourth movements. It may have been the first time that the Eroica has ever been performed with an enforced intermission in the middle, but it turned out to be the perfect solution. While Mark and our BPO Conducting Fellow Kristo were at work rearranging the stage, I gathered the orchestra together to talk about ways we might all come to see this “disaster” as a positive experience. I reminded them of Robert Shaw’s sage advice: “At every concert somebody will be hearing the music for the first time and for somebody it would be the last time.” Any disappointment that some were feeling at the inadequacy of the venue was swept away. As we experienced all this, we discovered two more unexpected benefits: The string section of the BPYO is huge—40 violins, 14 violas, 16 cellos, etc—perfect for Tchaikovsky 5th, but too heavy really for a classical symphony. For the Eroica we had decided to use two winds on a single part in all the loud tutti passages, so that the winds would be balanced with the large string section. But the wind players really don’t enjoy doubling, as it tends to compromise the intonation and to thicken the textures. How fascinating it was that in Huescar, where we were forced to perform the Eroica with the correct number of strings and single winds, the textures suddenly became clear and the rhythms gained a buoyancy that they had hitherto lacked. For the first time we felt able to bring out the subtlety of the balances; once we had experienced that, the next performance was greatly improved, even though were back to our full complement of strings. Another important benefit was that some of the musicians found a new perspective on the value they placed on prestige. Of course they love to perform in famous concert halls with sophisticated audiences, but playing for a packed audience in an-out-of-the way place — with everyone keyed up to a high pitch of excitement at hearing a symphony orchestra for the first time — could be just as exciting and rewarding. Violinist Cam Twarog, captured just why that was so: Despite the stage challenge, the most meaningful concert to me was the one in Huescar. Once we got over the barrier of the size of the stage and began performing for that packed audience, I knew it was going to be a special night. People in the audience were crying during Charles’s encore, which then brought tears to my eyes. Bringing the gift of music, not to mention the gift of Beethoven, to the small town of Huescar was incredible. If I were to choose one word, I’d simply say “unforgettable. After playing in that concert I felt reawakened. There was a newfound sense of community in my daily life. What an amazing feeling of playing for that town. We gave them something special that no one in that hall will ever forget! The encore that Cam refers to was an improvisation on a well known Spanish tune that was played after a magnificent performance of the Ginastera Harp Concerto by BPYO founding principal harpist Charles Overton, who is as comfortable in Jazz as he is in Classical music. Charles Overton’s Encore in Huescar Charles Overton, harp and the BPYO in Huescar Valladolid We next travelled to Valladolid, the largest city in the northwestern region of Castile and Leon. In Valladolid there was a joyous reunion with several former students from my Interpretation Classes at NEC who are now playing in the orchestra there, including Marius Diaz, the charismatic first cellist. Marius is well known in my world because of the story that I tell so often of his auditions: simply put, when he plays cautiously and properly, he doesn’t prevail; when he throws caution to the wind and plays with passion and abandon, he does! For those interested, here is Marius’ story as it appears in the book The Art of Possibility: [Beyond the Fock It] It is a true life lesson. Valladolid was the place where we had our most meaningful musical interaction with Spanish kids. I will not forget the sight of members of BPYO fanning out into rooms all around the large arts complex in Valladolid to teach instrumental lessons to 200 kids. Trombone lesson with Robyn Smith, BPYO trombonist zander 009 String Coaching with BPYO string players zander 010 Later we all gathered, Spanish kids and BPYO members all together on the stage, for a joyous and rousing performance of the theme from The Pirates of Caribbean under their own charismatic conductor, after which I led an arrangement of the Finale of Brahms’ 1st Symphony. What a joyous sound! The room was full of shining eyes after that. “That was my favorite experience of the whole tour!” said one of our wind players. Yes! Teaching, they all found out, is just as rewarding and fun as performing. That night Deanna Cirelli performed the Ginastera Harp Concerto. I want to share Deanna’s subtle and brilliant rendition of this colorful work, with its intoxicating Spanish rhythms and challenging orchestral accompaniment. Ginastera Harp Concerto w/ Deanna Cirelli And her encore: Madrid and Escorial Deanna Cirelli From Valladolid we went to Madrid to perform in the beautiful 2,700-seat National Concert Hall. I was astounded when I walked out on stage to see not an empty seat in the hall, including the choir seats behind the stage. The organizers had been right to insist that we perform Eroica in that concert. Clearly, word had gotten out about this extraordinary orchestra of young musicians from the United States. The feeling of elation and joy after that final performance of Eroica was intoxicating for everyone in the hall, not least for me. I have struggled with the Eroica most of my life. It never seems to work perfectly—especially the Finale, which has a metronome mark bordering on the unplayable (indeed this movement is often cited as proof that Beethoven’s metronome must have been broken—or that he was mad). I recorded it with The Philharmonia in London, but rejected the recording, because we couldn’t quite get it. For the very first time in Madrid I felt that, at last, with the fabulous young virtuosi of the BPYO, we had finally “nailed it.” Even the Finale! Imagine my intense disappointment when, at the post-concert dinner, I heard that, because of a misunderstanding, the concert had not been recorded. There had been only three BPYO performances of the Eroica—the one in Symphony Hall in Boston, which had fallen far short of my ideal; Huescar, which had suffered with a poor quality recording; now the wonderful performance in Madrid hadn’t been recorded at all. When the storm clouds of my frustration dispersed, I went around the restaurant discussing with members of the orchestra and staff what we could do to salvage the situation. Every possible solution was explored, including that of changing the program for the final concert the following night in Escorial, so that the Eroica could be performed again and recorded. Our cellist, Leland Ko, generously offered to forgo the opportunity to play his solo pieces in the final concert, so that I could get my dream Eroica on record. “It’s the very least I could do,” he said. I was touched that these young people realized that this was really important to me and I appreciated that they seemed to be willing to do almost anything to enable it to happen. The solution we arrived at was guaranteed to put an inordinate strain on the entire orchestra, especially the horns. It was, however, the only solution that would allow us to perform the final program at the Festival as advertised, which all of us felt was essential, and would still allow us to get a recording of the Eroica. The solution was that we decided to cancel the afternoon warm-up rehearsal for the evening concert and instead do a full recording session of the Eroica. A top-notch German recording engineer and his son were persuaded to come back from their family vacation. They set up a full battery of microphones on the stage and succeeded in turning the excessively dry acoustics of the Escorial concert hall into a passable recording studio. VIDEO: Recording Session of the Eroica in El Escorial BZ talking to Megan Shusta, BPYO First Horn Our magnificent first horn, Megan Shusta, warned me that what I was proposing would not work. To be expected to record the treacherous first horn part in the Eroica and then, a couple of hours later, to perform the huge first horn part in Tchaikovsky’s Fifth Symphony—with its heart-rending but high-wire act solo in the slow movement—is an outrageous demand for a horn player of any age. It’s like asking a pitcher to pitch back-to-back games. Had I gone too far? Is Possibility a license to go over the boundary of what is reasonable? I honestly don’t know, but I hope when she hears the tape of her tremendous performances of both pieces and the exquisite shaping of the famous horn solo in the slow movement of Tchaikovsky 5th, that she will be able to forgive me. Listen to the astonishing playing of all three horns in the trio of the Eroica and Megan’s solo in Tchaikovsky 5th. Special praise should also go to two other members of the orchestra for their heroism that day: first bassoonist Micah Gharavi, came to me just before the recording session, with his face white as a sheet, saying that he was simply too ill to perform, and then, through sheer will power, played anyway; and 15-year-old Nathan Muz, who stepped in to replace our ailing second bassoon and played the entire Eroica symphony impeccably without any rehearsal at all! Fortunately, he had been sitting in the rehearsals as a doubling wind player, so he knew the piece cold. But still . . . Here is the recording of the Eroica from the afternoon of the final day in Spain. Although the musicians were exhausted from their exertions of the day and at the end of a tour that had afforded them little time to practice—thus probably not at the top of their game technically—their music-making had found a new depth and freedom. Because of that, I have chosen to share the Escorial recording, out of the five Tchaikovsky 5th performances we played on the tour. As they threw themselves into their very last performance together of the Tchaikovsky, their love of the music and their sense of the significance of the occasion, lent a previously unachieved heroic and passionate quality to their playing. Here is the performance a few hours later of Tchaikovsky’s 5th. Tchaikovsky Symphony No. 5 It is a tradition—a sacrament, really—for us to play “Nimrod” from Elgar’s Enigma Variations as the final encore. For a whole host of reasons, “Nimrod” has taken on enormous spiritual importance in the musical lives of our BPYO musicians. You will understand why by reading Reese Williams description, and by listening to their deeply committed performance. [For the “white sheets” from other members of the orchestra, reflecting on their experience of the tour click here ] “One image burned into my mind is the performance of “Nimrod” in our last concert. Everyone was exhausted after a long recording session and a heavy concert, but every last ounce of energy left went into that performance. I remember looking up and seeing Leland with tears in his eyes, putting his whole life into his cello. And then I saw everyone else follow suit. The whole orchestra, every last person, was using every last drop of their soul to keep playing despite being in tears, despite being exhausted, despite the emotional burden of saying goodbye. That will remain in my heart for a lifetime and more”. Coda As I look back on the tour, I am amazed that the orchestra performed so many extremely demanding works so well. Tours are exciting for everyone, but they are also grueling. Days are long, often filled with many hours of bus travel; meals happen at irregular intervals; when not travelling there are demanding rehearsals, as well as sight-seeing, which can be thrilling, but is also exhausting, even in the awesome places that we visit, like the Alhambra in Granada. And then there are the concerts themselves, six of them in 12 days. I am amazed that we managed to pull off both the trip to New York and the tour of Spain. For that our deep gratitude and admiration must go to our Managing Director Elisabeth Christensen and the staff that she assembled. And it goes almost without saying that boundless credit must go to these young players’ teachers and to their parents, who have supported them to become such remarkable musicians and human beings. And great credit as well to the BPYO coaches who worked so hard with them over many months. Thank you. But most of all I thank the members of the orchestra themselves, for their superlative musicianship, their ability to change and to grow as they encounter fresh ideas and new experiences, their sensitivity to the collective—constantly attuned to what is best for everybody, not just for themselves. One hundred fifteen students came on the tour. It may seem unbelievable, but there was not a single incident of insubordination, bad behavior, rudeness or inconsiderateness. Nothing disturbed the smooth running and joy of the entire venture. One couldn’t have asked for a more perfect demonstration of the Art of Possibility in action. I wish you could have been there. The post Turning on a Dime: BPYO Goes to Spain and Carnegie appeared first on The Boston Musical Intelligencer .

The Well-Tempered Ear

August 31

Classical music: Oakwood Chamber Players start their “Perspective” concerts on Sept. 10

By Jacob Stockinger The Oakwood Chamber Players (below) have long been known for programming new music as well as neglected old music or neglected composers that they perform with top-quality music-making – often with a unifying theme to the programs. Just look at the details of the following announcement of the new season: The Oakwood Chamber Players are excited to announce their 2016-2017 concert series, “Perspective.” Full of interesting viewpoints on life and relationships, the blended use of diverse musical styles with film and theater will help concertgoers see things from another’s point of view. All concerts will be held in the auditorium (below) at Oakwood’s Center for Arts and Education, 6002 Mineral Point Road, on the far west side of Madison. Tickets can be purchased at the door: $20 for general admission, $15 for seniors, and $5 for students. More information can be found at www.oakwoodchamberplayers.com LOOKING ACROSS THE TABLE: CAN WE FIND COMMON GROUND? Saturday, September 10, at 7 p.m. and Sunday, September 11, at 2 p.m. Paul Schoenfield (below) – Café Music for piano trio Michael Colina – Stairway to Midnight Café for mixed instruments Jean Françaix – Dixtuor for woodwind quintet and string quintet Edward Elgar – Elegy for string quintet LOOKING BACK AND FORWARD: CAN THE PAST, PRESENT, AND FUTURE CHANGE US? Sunday, November 27, 2016 at 1 p.m. and 3:30 p.m. Frank Bridge (below) – Sir Roger de Coverly Christmas Dance for strings Jon Deak – “Passion of Scrooge” for large mixed ensemble with baritone voice LOOKING WITHIN: CAN WE SEE WITHIN OURSELVES THOSE WHO HAVE GONE BEFORE? Saturday, January 21, 2017 at 7 p.m. and Sunday, January 22, 2017 at 2 p.m. Byron Adams (below) – Serenade (Homage de Husa) for large mixed ensemble Arnold Schoenberg – Notturno (Nocturne) for strings and harp (in the YouTube video at the bottom) Francis Poulenc – Sextet for woodwind quintet and piano Maurice Ravel/David Bruce – Kaddisch for large mixed ensemble LOOKING THROUGH THE LENS: CAN WE SPEAK WHEN THERE ARE NO WORDS? Saturday, March 18, 2017 at 7 p.m. and Sunday, March 19, 2017 at 2 p.m. Gail Kubik – Gerald McBoing Boing for large mixed ensemble, percussion and narrator Paul Bowles (below) – Music for a Farce (Movie – The Fireman) for clarinet, trumpet, piano and percussion Dan Visconti – Low Country Haze with film for large mixed ensemble Gaetano Donizetti – Trio for flute, bassoon and piano LOOKING CLOSELY AT THE SCORE: CAN WE GET INSIDE THE MINDS OF THE COMPOSERS? Saturday, May 13, 2017 at 7 p.m. and Sunday, May 14, 2017 at 2 p.m. Joan Trimble (below) – Phantasy Trio for piano trio Vincent d’Indy – Chanson et Danses (Song and Dances) for winds Luise Adolpha Le Beau – Piano Trio Joachim Raff – Sinfonietta for double woodwind quintet The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation. Tagged: baritone , Bassoon , Byron Adams , Christmas , clarinet , d'Indy , dance , Donizetti , Edward Elgar , Elegy , fantasy , farce , film , flute , Frank Bridge , Gail Kubik , Horn , Jean Francaix , Joachim Raff , Joan Trimble , Jon Deak , Kaddish , Luise Adolpha Le Beau , Michael Colina , movie , narrator , nocturne , Oakwood Chamber Players , Paul Bowles , Paul Schoenfield , percussion , phantasy , Piano Trio , Poulenc , quintet , Ravel , Schoenberg , Serenade , sextet , Sinfonietta , singer , song , String quartet , strings , trio , Trumpet , vocal music , voice , woodwind , Woodwind quintet

Edward Elgar
(1857 – 1934)

Sir Edward William Elgar (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. After a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. His later full-length religious choral works were well received but have not entered the regular repertory. The first of his Pomp and Circumstance Marches (1901) is well-known in the UK and in the US. Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of recordings of his works. The introduction of the microphone in 1925 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral.



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